Richard Elson +44 (0)7979 750718 richard@barebonefilms.com

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Continuity

profile ... examples of continuity sheets ... blank continuity sheet ... screen grabs

Profile
I have worked as a script supervisor on short films on 35mm and 16mm film as well as digital formats. My work in post production has shown me the importance of complete and coherent continuity notes and allowed me foresight into what an editor can use and cut around. I have an eye for detail and am organised and thorough in my work. I recognise that it is sometimes best not to pester the director and actors when performance is more important. I have my own digital camcorder though the most useful tool I have found is concise and organised notes. I am familiar with the recognised English and American forms of continuity notes and various daily report sheets and methods of script annotation.

Career History
'The Confidence Trick', 10 minute drama shot on 35mm, June 2002
'Phil’s Job’, 10 minute comedy shot on DVcam, August 2000
Shown at the 2001 Cannes festival & nominated for Best video at the 2001 Melbourne festival
‘You Reap What You Sow’, 5 minute comedy shot on 16mm, August 1999
Shown at festival in Peru
‘Dead Man’, 10 minute comedy shot on super 16mm, April 2001
Shown at the Royal Television Society Awards 2001
‘High Tide’, 10 minute drama shot on 16mm, March to May 2001
Shown at ‘Kino International Film Festival’, Manchester, October 2001
‘Change Perspective’, 30 second advert shot on super 16mm, October 1998
Entry for the Kodak Commercial Awards

Films

Fairly Tall

Pure Freedom

Wallpaper

Calling for a Voice

Waves

Alfred Wallace